Monday, October 29, 2007

Tangled Reliquary by Ann Lauterbach

Tangled reliquary under all surfaces.
Nothing moonlike occurs there
Only partial coves
And entrances.
How cool it must have been
the vat of the previous
Before these habits ordained the real.
Some of us must have seen each other
Naked in opulent dawn, our nerves
Drawn up as from an ancient well
Mossy, slick, unstuck at every seam
So we enter the sleeve of history
Out of which the magician pulls
His lawn ornaments: Dancer, Prancer,
Our Lady of Provocations, flags, targets,
The bluebird's house.
On the adjacent field
A swarm of butterflies alights
On a bald tree. This is the Tree of Changes
Mentioned in the lost book of A.
Her auspice was a riddle,
Sphinx or no sphinx,
Whose meanings we can piece together
From her journals which were torn into bandages
To wrap the wounds of the dying.
Such wanton songs
Paginate empirical trust
And the ruse of the first place.
Not that story again, what we cannot say
To the sun as it dispenses its sheen
Out over the harbor, but only
How can you perform your agile sway
Without shelter and without us?
So the riddle of the disembodied name
Sets in motion its primal mischief
Sanctioned and forbidden in the vastly gone.

This would be a good day to go sailing
Or to wash the car, but I have
Neither boat nor car. There's a plotless web
In the air like a banner pulling us along
Into something to look back on.
What if I wandered so far
Only to come here
To the relentless you
Have kept in store for me
Before the song, above the river,
All the names etched in stone
And only slowly annealed
To the spawning wind, in whose face
We will soon be included, having been shown
The near field's shambles
And grace. Come here
Like a shoulder or a girl's skipping step
Toward evening on a Friday,
Lapis amulet, Samurai sword,
Chinese silk stained with azalea,
A single earring the color of a toy globe
All stolen from a thing called April
Still wet with fresh rending. Come
Here in a language once learned
Only a few phrases remembered:
Bonjour, je t'aime, il fait beau.

Perhaps one of those popular, musical Sundays
Would save us, galloping at high speed in, out,
Only a glimpse from high up in the revised setting
Crowded with tyranny. So I wanted
Once again as a plaything, some jewel, box, horse
On which to come fleet of vision,
Glad to pretend. The cartoons sailed
Against the brocade, and the stairs
Were where the prayers were kept
Like instruments of torture
Basking in shade, the scent of new snow,
Locks of hair under glass.
The day, however,
Has spun upwards so it seems to be
A sort of chapel of divided light
And the season, punctured, leaks
Down on us old balloons from a faint dead planet.
And I had promised never again to try to
Put anything back together,
To obey the errant barge of upheavals,
Not to seek cause and effect in the prevailing wind.
But now shards of promise
Glint through the network of uneven shifts
Like the wandering voice of an ancestor
On the other side of the dunes. Bricks or dunes.
But what will I tell the children?
As in a photo of two persons dancing
There are some things we never will hear.
Shout and coo, shout and coo,
Each of us away. So one who is the one
Wants to sheath me in his ear.
Him sings his tunes
In the aberrant remonstrance. And I
Agree to this fear he tells me of
Whose words are what he cares to do.
Both hands are up in a moment
Not so much surrendered as bequeathed
To our common night. Dear dream,
Will you assist us, give pause
To any and all of these lessons,
Take us, each, into such fond technologies
That the thigh's spasmodic hum
Frees action as well as solace.
But the eye's horizon
Is dialectical and unreasoned,
Its gown disembodied because unsaid.
The blue floor calls itself June
And wants to lay me down
On its shine of now
And peel off the shadows
One by one until I am it.
Then sail into the air
Sheet after sheet
this and that
here and there
now and then
Only as real as what follows.
That the balloon man lost his head
That the screen fell to the floor
In a heap of landscape
such mornings
That the clay pot
Lay in shards
That the dry flowers were cast
Across the rug, ancient seeds, crumbs
such mornings
And the light reached all the way into the dark
As if handing it forward
From some child's grave
From the curled soil's boundaries
From whatever captivity
We wish to sew into artifact
But which, like the light just named,
Eludes us, frail and pinioned in the glossy tablets
Of alchemical reserve;
That the elegy is betrayed
As the child follows her hand to its sanctuary
And touches its core
And unriddles its riddle
In the beckoning need
That the cluster of disavowal gives way
And could not be shy
such mornings --

----

Thanks, E.

Wednesday, October 17, 2007

Mr. D

Bijoy, my brother, and me decided to do a documentary on legendary architect Balkrishna Doshi. So we set out on a mission expecting to get only an hour or so with him. We packed our bags, bought lots of DV tapes, arranged (last minute) professional recording equipment and went on a trip to Ahmedabad. Such a lovely city, such an amazing energy. And. What genuine people. A giving society, really. In Ahmedabad, we were meant to meet Mr. Doshi at 10am on Monday. What a great man. We shot loads of great footage in his globally respected and appreciated office "Sangath". What was to come was truly magic and God's grace. Over the whole of Monday and Tuesday he came with us to visit his best works in the city and we managed to record, what would become for me, life-changing footage. Truly transforming. Very spiritual. I have no words to explain. Let the film speak for itself. x

Thursday, October 11, 2007

Hard hats off

"I love pop music to death.....Most great composers rely on folk music. I rely on pop music. I'm not saying I'm a great composer or that pop music is folk music. There's a whole endless thing going on out there. You make your little pond but if your pond isn't connected to the river, which isn't connected to an ocean, it's just going to dry up. It's just a little piss pool. I've lived too long to be happy in a pond."

----

Thom quoting Robert Wyatt.
P.S. I have heard "Jigsaw in its place" over 50 times now. Mental!

Wednesday, October 10, 2007

Reckoner

"In Rainbows" could quite possibly be the best Radiohead album since "Ok Computer". A song called "Jigsaw falling into place" is driving me absolutely insane. This is genius at play. Totally acquired taste. Seems like they have been waiting all their life to make a record like this. Hats off. Hail, hail!
P.S. I must be one of the first people to have got it cos I was online when I got the "download" email from inrainbows.com. Yayy. Honour in all its six letters!

Saturday, October 06, 2007

Drella is here:)

Monday, October 01, 2007

In rainbows

Radiohead's new album "In Rainbows" will be digitally released on October 10th. How exciting. Here are a few lines from the song "Bodysnatchers".

I do not
Understand
What it is
I've done wrong
Full of holes
Check the pulse
Blink your eyes
One for yes
Two for no